Wind octet

Today, the term ‘Harmoniemusik’ refers to an orchestra comprising a mixed ensemble of woodwinds, brass and percussionists. Yet as early as the 18th century, its namesake predecessor enjoyed great popularity, albeit in a significantly smaller sextet formation consisting of two oboes, two bassoons and two horns. In 1782, Emperor Joseph II founded the Imperial-Royal Harmony and added two clarinets to it. The ensemble was considerably cheaper than an orchestra and could nevertheless be used in large halls and for outdoor events. It is therefore not surprising that Joseph II soon found imitators at numerous aristocratic courts, including the Bonn court of the Elector of Cologne, Max Franz. Ludwig van Beethoven wrote the Octet in E flat major for this ensemble shortly before his second trip to Vienna in 1792. Like Mozart’s Wind Serenade No. 12, it goes beyond the framework of ‘table music’ intended for such ensembles, which was typically played in the background during banquets, receptions and evening entertainments. Instead, the themes, sound and instrumental treatment are aimed at creating a symphonic effect. So look forward to the symphonic sound of the wind players of the Musikkollegium Winterthur – and feel free to postpone your Sunday banquet until after the concert.